Oil painting on an iPad: Oxymoron or art?

"Throughout history a small number of artists have rejected both palette knives and brushes. A few used their fingers to spread the paint. Artists turned to such primal means for various reasons, including display of skill, experimental playfulness, or nose-thumbing at convention. The young Leonardo's use of his fingers can be linked to the properties of the newly available medium of oil painting. ... It should not surprise us that he played with the tackiness of the new oil medium, palpating the paint as he sought new effects." ~ Seeing Through Paintings by Andrea Kirsch and Rustin S. Levenson, p133/4. ~ It’s apparent that Kirsch and Levenson were not referencing Leonardo da Vinci’s “Mona Lisa,” but perhaps the initial youngster-like steps he took to get to the height of his painting career. The art of finger painting in and of itself was rediscovered and popularized by American educator, Ruth Faison Shaw in 1926 while in Rome, Italy teaching at the Shaw School. Since then, finger painting has become a major part of early art education, and used as a significant tool in psychiatric therapy. Earlier this year, in April and May, when the Apple iPad was being launched, I was fascinated with the technology and penned two posts: "The iPad Chalenge: Cat, Dog or Man," and "The iPad Challenge: Part Deux." Frankly, I was impressed with the multitude of inexpensive applications for this gadget, which seemed to be surfacing daily – everything from reading and games to writing and music. I still don’t have an iPad, but I love to paint, and recently I discovered that there is an app called “Brushes”; it has all of the fun of finger painting but none of the mess, and it not only works on an iPad but is available for an iPhone and iPod touch. In case anybody wants to know (hint, hint) this is definitely going on my “wish list.” 

An Unforgettable Face

"In every man's heart, there is a secret nerve that answers to the vibrations of beauty." ~ Christopher Morley ~

The female face has long been inspiration for countless number of artists over the centuries. Take for example the hauntingly elegant oil on canvas that accompanies this post. It is a portrait of 19-year old Amalie von Schintling painted in 1831 by Joseph Karl Stieler, an artist who worked primarily in the service of the Bavarian court.

Stieler painted the portrait at Schloss Nymphenburg in Munich, and endearingly captured von Schintling's hopeful visage. At that time, the young girl was betrothed to her cousin Fritz von Schintling, but sadly would never see her wedding day as she died of tuberculosis shortly after the painting was finished.

Three years ago, St. Louis, Missouri digital artist, Philip Scott Johnson further immortalized Amalie's image in a video, along with that of 89 other beautiful women, all of who had stories of their own to speak from the canvas.

The exquisite video tribute to portraitists and their distaff models displays Johnson’s carefully cropped thumbnail images, which are morphed one on top of the other in a fantasy dance of visual beauty that spans 500 years of Western art.

For two minutes and 53 seconds centuries roll by from face-to-face as we see the passionate works of such artists as Rubens, da Vinci, Reynolds, Winterhalter, Renior and more, as each beauty dissolves and melds accompanied by the sensitive cello performance of Yo-Yo Ma playing Bach’s Sarabande from Suite for Solo Cello No. 1 in G Major, BWV 1007.

Johnson’s outstanding work was recognized with a nomination for Most Creative Video by YouTube for their 2nd annual awards ceremony.

For a complete list of artists and their un-cropped paintings, please follow this link.

Internet art with your youngster: Wrapping artistic genius in tissue paper

How do you get the little children in your life interested in reading and art at the same time?

It’s been 40 years since Eric Carle, the beloved children’s book illustrator and author created one of the most time-honored children’s classics, “The Very Hungry Caterpillar,” and Carle’s instructive web site is an ideal starting point for garnering pint-sized interest, and sparking creative exploration along with a trip to your local library or bookseller.

This year marks a milestone of sorts for the evergreen story - it has been translated into 47 languages and has sold over 29 million copies worldwide.

“The Very Hungry Caterpillar” actually began as “A Week with Willi the Worm,” and fortunate for Carle that he took his editor’s suggestion to heart (to transform a plump, green Willi into a multi- color-splashed caterpillar) because it was the caterpillar that has become his most famous work, even though to date he has illustrated or authored a combined total of 70 other books.

Carle, a grandfatherly image, says about his littlest fans, “Growing up can be very difficult – I like to help children along.” And, that he does, as he shares his techniques in a step-by-step fashion that can be mimicked by moms, dads, extended family or caretakers, (who incidentally will probably have just as much fun as the youngsters) painting colorful tissue papers and assembling your very own collage.

This year Carle celebrates another milestone – his 80th birthday. He keeps engaged and active - commuting between two households; the museum of picture book art that bears his name in Western Massachusetts; a host of book signings and even writing his own blog.

How many of you have treasured memories of being read Carle’s wonderful tale?